Updates of All Kinds!

Hello and welcome back!

If you’ve been watching this site, you’ve undoubtedly been bored, as nothing has happened here since January.

But now things have kicked off! I’ve done a fair amount of revision over the last few days, and there is more to come. It will take me a while to get everything cleaned up and consistent, but it’s something.

In addition to site updates, here’s an unfairly brief summary of my life recently.

Big Changes

In March, I found out that I had been accepted to Shenandoah Conservatory, to study conducting there. This program has been highly recommended by several people who I respect, and I jumped at the chance to be involved.

I accepted the offer and resigned my job at Magnolia West High School. I finished out the end of the year (earning a UIL Sweepstakes trophy in the process!) and moved to Winchester, Virginia. I’m renting a house with several other grad students, and I’m sitting on the couch as I type this.

I’ve spent the time since my move working with Shenandoah Summer Music Theatre, the summer stock program run by the conservatory. In addition to showing me around the school, I’ve had a chance to interact with faculty and staff who I will be working with during the year. Needless to say I’ve spent plenty of time at the piano and in the library.

I was awarded a partial assistantship, which was recently converted to a full assistantship, which will cover many of my expenses in exchange for my work. I’m excited to see what that will lead to!

Other Events

At the same time, I also left my job at Advent Lutheran Church, where I’d been playing since December of 2018. I am incredibly thankful and blessed to have worked with Pastor Kim and with Scott MacAdow there, and I learned a lot. I also finished my studies with Dr. Dave Englert, and earned my Service Playing Certificate from the American Guild of Organists.

Before I moved, I had a chance to go one last time to UIL State Solo & Ensemble. I accompanied about 20 students, including covering for two students who I had never worked with but found themselves in need.

The move went smoothly and I enjoyed seeing many parts of the country. You can check out my Instagram feed for pictures of the travel.

Looking Forward

My time with SSMT has nearly ended. I’m still playing for some occasional rehearsals while David, the main rehearsal pianist, is busy with shows. But it allows me many free days and not much to do.

So with the remaining summer, I’m making a point of sightseeing and preparing myself for the fall. I’m playing plenty of piano and reading a lot. I hope to visit friends in Washington, D.C., and possibly even in New York City before the summer ends.

And of course I’ll be updating and filling this site in as well. No excuses, since I have plenty of free time.

Show Progress

As of tonight, we are a month away from the opening of Seven Brides for Seven Brothers.

Tonight we had our first stumble-through of Act 2. Overall, I was really impressed with where things were. About 75% of the act has been set in stone, with a few scenes never staged, and a few dance numbers that haven't been choreographed yet.

The singing was really solid. A couple of songs were rough (there's one choral section that is really tough and wasn't quite right tonight), but for the most part I think the singing is pretty much done other than finesse.

One of the challenges for the actors is to match the pace of their dialogue to some of the underscoring. Certain sections have to be sped up or slowed down in order to line up with expected moments in the music. Since we're performing with tracks, there's really nothing I can do in the moment, so it's up to the actors to become familiar with those moments.

The run took about an hour and a half, which is longer than the act, but only by about 50%. When all is said and done, the act should run a little less than an hour.

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At the end of this week, we will finally get access to the stage. At that point, things will really move along. It's tough to visualize how set pieces will move and where actors will enter when our rehearsal space is smaller than the stage!

Since we won't have set for a little while longer, I'm a little concerned with the scene changes. The choreographer plans to have them pretty carefully plotted (her husband has designed the set), but they'll take practice to get them in the music. Many of the scene changes flow directly out of the end of the scene, or into the next scene with no breaks, so they have to be precise.

All that to say, the actors are doing a great job, and the show is really coming along. We're not totally done yet, though. In the next few weeks, this show is going to completely transform as the final pieces fall into place and I'm excited to see it!